The word in Italian for monstrance ‘ostensorio’ derives from the Latin ostendĕre, which means to show.
This has always been the function of this particular sacred object. Since the beginning, the intention behind its creation was to show the Body of Christ in the most solemn and sacred way possible, the consecrated Host during Eucharistic liturgy.
The metal monstrance is by definition, a small alter on which the object of sublime devotion is placed, a profoundly moving artefact, which in the highest moment of celebration must capture the attention and spirituality of all the faithful that have gathered.
In the past, instead of using metal monstrances, it was commonplace to use sacred images and liturgical objects of all kinds, such as crosses, reliquaries and ciboriums, to carry out the same function. However, over the centuries, the current format symbolising a small temple and tower was favoured; in which the Host was placed on top of a support made of gold and silver. Until it developed into its current form which is characterised by its structure in the form of a radiant sun. This form, more than any other demonstrates the true nature and essence of this object. The radiant sun of the metal monstrance recalls the haloes of the saints and symbolises Christ our Lord, who’s light so powerful and healing shines upon and warms the hearts of all the faithful, illuminating their path. Moreover, the sun recalls the imaginative past peasant tradition of manifesting joy and exultation for the triumph of life, by burning crowns of intertwined dry branches to light up the night, and therefore challenge its domain.
The metal monstrance is a highly suggestive object, artisans have always placed a lot of attention to detail when making them. Particular consideration is placed on choice of materials used. The metal monstrance must reflect externally the veneration and reverence of what it encases within its splendid heart. The purity of the silver, the authority of the bronze, the vibrancy and elegance of the brass, in addition to of course the radiant magnificence of the gold. As well as friezes, ornaments, and enamel ornaments, coral, and precious stones which represent angels and evangelists, or life, the symbol of the connection with Christ, the origin of existence.
There is no other object like the metal monstrance, where the importance of the primary materials exceed the limits imposed by its form, to symbolise something more, becoming one with the mystery which it keeps and exults, which it offers and preserves.
Here following you can see a selection of our best metal monstrances, that you can find within Holyart.co.uk catalogue.
